Stringing Words Into Sentences

Voice comes from honesty.

The hardest thing about starting to write is finding your honesty. Not just telling the truth as you see it on the surface of your mind, where we lie to ourselves.

Honesty becomes a way of life on the page eventually. The easiest way to get there is to trigger emotions so strong and immediate that you have to say exactly what you feel deep down.

For a lot of people, that involves a detox from institutionalized writing. Five-paragraph essays. Being forced to write about the weather or how great your mom was on a sheet of pre-printed lines. Being forced to engage with basic literacy before you were developmentally ready (maybe your motor coordination wasn’t there yet, or your reading comprehension had a schedule of its own that said Oh yeah, well eff you to the institutional timeline). Or being corralled into limited, educational-agenda-based forms of expression that had nothing to do with what really interested you.

That’s why Pat Schneider’s breakout creative writing technique begins with detoxing from various aspects of our early lives. Her exercises tap into our experiences of injustice, shame, and disappointment, and perform strategic lifesaving surgery by excising those inner barriers onto a page. First, courage. You have to get rid of the fears about exposure that you didn’t even know you were dealing with.

You can’t get that from an editor, only from going and doing it.

Clear expression and topical engagement come from feedback.

One reason I’ve heard for hiring an editor (or for seeking feedback in general) from a few different people is this: People will read total crap, so their feedback may not mean anything.

Oh, thank goodness. That’s a fantastic starting place. But you’ll need to come back to it when you get your first negative review, okay? Also, good luck with that!

Feedback doesn’t teach creative writing technique in the technical sense. Practice teaches technique. But feedback teaches you about being interesting and being resonant.

People will ignore you when you’re not interesting and not honest.

People will read you when you’re connecting with what matters to them in a way that rings true.

And finally, it teaches you where you’re not communicating clearly, because someone will pipe up and say, “I have no idea what you mean by this! I’m confused!” Beta readers and critique groups or partners are excellent for pinpointing the places where we didn’t say what we thought we said.

I’ve found blogging is also great that way, because then you get to try again in the comments. You can even start an argument about it, which is definitely not allowed in critique groups, at least the better ones. There might be some cage-fighter crit groups out there.*

I don’t know. But I do know you can’t get that from an editor, only from going and doing it.

Strong writing comes from personal literacy.

I touched on this in my initial post here. A lot of people who are just fixated on the shiny aura of “writing a novel” are also very unimaginative. For starters, they can’t imagine a “serious” (ping me on my “serious writing” rant sometime) writing form other than the novel exists. For another, they’re much too busy imagining having their name splashed on the cover of a novel to imagine a good story. But when do we get to the cover with my name on it!? Are we there yet???

The truth is, many people don’t read well. I have in past chalked it down to impatience, based on the lack of reading my reply emails coherently. These days, I also suspect a general literacy problem in the Now We’re Seriously Adulting population of people who are past their twenties.

As children, and teens, and trailing into young adulthood, we’re encouraged to read stories of wonder. But there’s an agenda. Wonder is only allowed when it Promotes Literacy In Children. Once that task is completed, we drop the habit of seeking out thoughts and expressions that amaze us. It’s not “useful.” It “wastes time.” We start skimming everything. We lose imagination.

Constraining ourselves to a grownup sense of wonder, atmosphere and importance is another invisible wall that prevents honesty. It kills voice. Seeking out your favorite themes in other forms and places will help you realize what you really need (not just imagine you want) to communicate, and how many ways there are to communicate it.

You can’t get that from an editor, only from going and doing it.


*We’ll talk about critique etiquette another time. Short version: The number one rule is to say “thank you” and move on without further comment, taking what works for you and leaving the rest.

For a deeper look: Pat Schneider, Writing Alone and With Others.

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