Craftsmanship: The Power of Finishing

Gray Rinehart of Baen Books has lately had a few particularly encouraging statements in his newsletter, which led me back to his blog. Check out Heinlein Was Right: A New Look At His Rules for Writing,  where he talks about the nuanced space between writing “the end” and refining the details.

Does “finish” mean get to the end, or exercise craftsmanship? That might depend on where you’re at in your writing life. And maybe you should give yourself some acceptance and patience on that front. After all, you can’t swing a cat out there without getting badgered by “should’s” and conveniently related fast-track products. Somebody has to embrace the moment you’re in. Might as well be you.

Craftsmanship and completion take time to become partners.

At first, writing craftsmanship is overwhelming. It interferes with completion. Or rather, our own floundering does. That’s why curmugeonly editors say “don’t hire me (yet)” and “write more things.” The more time we spend with applied craftsmanship — being mentored, reading well-written things, working on our skills — the quicker we become at skilled production. As our use of time becomes better, we become more willing and able to take time on the details of crafting, because there’s room for new challenges.

I love trades work. It’s a great way to gain perspective on the value of skill. I see this dynamic all the time with the people who’ve put in 20 or 30 years doing a specialty task. Their work is both fast and amazing. They’ve mastered the little details that make it go better and create a higher quality finish on the first try.

I’ve also been the indirect victim of poor tradespeople — not ones I hired, but clueless DIYers and previous homeowners who hired questionable contractors on the cheap. Likewise, there’s a high cost to written material constructed “on the cheap,” so to speak. It’s not a pleasing mental space to dwell in, and it essentially gets the workman drummed out of business.

Ugh. Not this again.

This is also something where online experts, public speakers, etc, tend to badger writers with morality tales about completionism. Write many things, but craft them. You must learn craft. Craft craft craft. Crrrrraaaaaaft. I don’t know about you, but I get ready to pull out the scissors and glue and craft someone a glitter-soaked paper middle finger after hearing that word too often.

Meanwhile, writers have been side-eyeing negative reader reviews of known sellers such as the Clive Cussler franchise, Twilight, and the Left Behind series for years (also Hemingway and/or Emily Dickinson, depending on what bores or annoys you) and asking what gives.

If something is actually not so great, why does it sell? If being great doesn’t matter, why must we work so hard on craft?

That’s kind of like asking why there’s a major contractor in the city who puts up cheap housing and manages to sell a lot of it. Because it satisfies on the surface. Accessing it involves very obvious and prominent channels. And also, it fits the buyer who just wants temporary sufficiency in specific areas.

Good craftsmanship gives you internal power.

Industry professionals are saying something helpful, not something discriminatory. When you don’t have an existing set of prominent channels to compensate for bad work, your work itself can open doors. You can carry that potential within you. No one can take it away. It won’t depend on coincidences, markets, networks… it can actually create them. Maybe not big, flashy Hugh Howey markets and networks, but deep loyalties within your own niche.

I remember when that first started happening to me at writers’ conferences. The conferences I attended were in the wrong market sector for who I’ve turned out to be as a writer. But, nonetheless, I found to my surprise that there wasn’t much I needed to say. All that was necessary was to give people a chance to see the work. Then the conversations started and the connections took root.

If you have to choose, carry the power of the craft inside you. I’m pretty sure that’s better than killing trees to make an epic pile of crap.

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(Side note: Under no particular compulsion, I freely admit that I’m enthused about Gray’s upcoming novel Walking on the Sea of Clouds.) If you like sci-fi, I strongly suggest you’ll like it too.

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